By Anthony Gardner,Charles Green
- Provides a accomplished international historical past of biennialization from the increase of the eu star-curator within the Nineteen Seventies to the emergence of mega-exhibitions in Asia within the 1990s
- Introduces a world array of case reports to demonstrate the trajectory of biennials and their starting to be effect on creative expression, from the Biennale de los angeles Méditerranée in Alexandria, Egypt in 1955, the second one Havana Biennial of 1986, New York’s Whitney Biennial in 1993, and the 2002 Documenta11 in Kassel, to the Gwangju Biennale of 2014
- Explores the evolving curatorial ways to biennials, together with research of the jobs of sponsors, philanthropists and biennial administrators and their re-shaping of the modern artwork scene
- Uses the background of biennials as a method of illustrating and inciting additional discussions of globalization in modern art
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Additional resources for Biennials, Triennials, and Documenta: The Exhibitions that Created Contemporary Art
Biennials, Triennials, and Documenta: The Exhibitions that Created Contemporary Art by Anthony Gardner,Charles Green