The previous sixty years have formed and reshaped the crowd of French-speaking Louisiana humans referred to as the Cajuns. in this interval they've got develop into very like different americans and but have remained strikingly particular. The Cajuns: Americanization of a People explores those six a long time and analyzes the forces that had an impression on Louisiana's Acadiana.
within the Nineteen Forties, whilst the United States entered international conflict II, so too did the remoted Cajuns. Cajun squaddies fought along troops from Brooklyn and Berkeley and absorbed features of recent cultures. within the Nineteen Fifties as rock 'n' roll and tv crackled throughout Louisiana airwaves, Cajun track makers answered with their very own designated models. within the Nineteen Sixties, empowerment and liberation pursuits grew to become the South the wrong way up. through the Eighties, as issues Cajun turned an soaking up nationwide fad, "Cajun" turned a type of model id used for promoting every little thing from swamp excursions to boxed rice dinners. on the sunrise of the twenty-first century, the arrival of a brand new info age introduced "Cyber-Cajuns" onto a global internet. a lot of these forces have driven and pulled on the textile of Cajun lifestyles yet haven't destroyed it.
A Cajun himself, the writer of this publication has an extreme own fascination in his humans.
through linking possible neighborhood occasions within the Cajuns' as soon as remoted south Louisiana native land to nationwide or even international occasions, Bernard demonstrates that through the center of the 20 th century the Cajuns for the 1st time of their ethnic tale have been engulfed within the currents of mainstream American existence and but endured to make outstandingly particular contributions.
Shane ok. Bernard serves as historian and curator to McIlhenny corporation, maker of Tabasco model items when you consider that 1868, and Avery Island, Inc. he's the writer of Swamp Pop: Cajun and Creole Rhythm and Blues (University Press of Mississippi). His paintings has been released in such periodicals as Louisiana History, Louisiana Folklife, Louisiana Cultural Vistas, and the New Orleans Times-Picayune.